Film Name:没有一顿火锅解决不了的事 / Nothing Can’t Be Undone by a HotPot
——An Analysis of 《Nothing Can’t Be Undone by a HotPot》
“Nothing can’t be undone by a hotpot, and if it is, then it’s two hotpots.” Yang Mi’s new film 《Nothing Can’t Be Undone by a HotPot》 can be said to be the main line of the “male and female thieves” four-person team to enter the room “robbery”, or “robbing” and “robbing”. “Robbery” and “robbery”, the back and was “robbed” away from the director of the five people, you come and go relationship network intertwined, your side sang my side sung, wonderful. The subplot is about the culture of Sichuan opera, the things left by the ancestors who have no right to move, not only can not move but also have to be well protected, everyone has to protect.
The youngest chicken, nine cakes, Fat Cai, seventy thousand, pay the director, everyone and pay the director involved, they seem to be a few people who meet in passing, because nine cakes in the community group posted a post and meet, as if it is necessary to meet, in short, the drama is very strong, the point of view is very sufficient, the plot is interlocked between the five people have their own characteristics, it seems to be “none of them is a light”. The plot is intertwined, and each of the five people has their own characteristics, and it seems that “none of them is a lightweight”.
As a whole, the five of them are in the “small secret room” of Nine Cakes, and they seem to be acting out a wonderful “play”, with the background music of Sichuan Opera, which is often in a state of audio and visual separation. Close the door to engage in human affairs, new and old scores have to be calculated, but out of the door, you have to abide by the “rules”, the stage is singing, the stage is listening to the play, do not abide by the rules you have to leave.
From the main elements in the film, there are hot pot, Sichuan opera, mahjong, these three elements I was throughout the whole film, is the characteristics of Shu, put aside the film itself is good or not, this kind of promotion of China’s excellent traditional culture of the film should be encouraged first. When five people are fighting to the death, there is always an opera character “intervening”, the drum on the flea Shiqian, Bao Qingtian, Guan Gong, these three characters always appear at the right time, always driving the plot of the story.
From a general point of view, the appearance of the three opera characters seems to be guiding the five people to “put down the butcher’s knife and become a Buddha”, which is also the line that appeared in the film, “between one thought and the next, night and day”. I always feel that there is a “goodness” hidden deep in the heart of the Chinese people, who can be a little greedy and uncontrollable in front of the small rights and wrongs, but will never be ambivalent in front of the big rights and wrongs. The fact that the last few people chose “daytime” is a reflection of the Chinese people’s sense of right and wrong in front of big issues, but it should be more of the special charm of traditional culture, and the “interruption” of the opera characters, although it interrupts their thoughts, is also a way to guide them.
Although the characters of the opera “interrupt” their thinking, but also guides them “to the good”.
At the end of the day, I still have to blow some rainbow farts, the scriptwriter wrote a good book, the director directed a good one, and the actors interpreted a good one, because it would have been very nice to watch.
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