Film Name: 少林搭棚大师 / Solin yongmunbang / Return to the 36th Chamber / 少林搭棚大師
“Solin yongmunbang” is the sequel to “The 36th Chamber of Shaolin.” Though it follows the gem that was “The 36th Chamber of Shaolin,” “Solin yongmunbang” is just poorly made.
“The 36th Chamber of Shaolin” tells the complete story of San De learning martial arts at Shaolin, covering all the backstory and consequences. However, while “Solin yongmunbang” starts off okay, the middle section depicting Shaolin training is muddled and nonsensical. The premise itself is baffling and illogical. Seriously, how could an outsider sneak into Shaolin and just be allowed to stay? Did the plot sacrifice logic entirely?
Additionally, the idea of treating scaffolding as martial arts is interesting, but the director seems to be rushing through it, neglecting any sense of progression. Why would the protagonist, who isn’t a prodigy, master it instantly? Even if he were a genius, the director offers no hint or indication of this. Zhou Renjie’s greatest hardship before learning the art was not being able to wash his hair—is that reasonable? Martial arts aren’t just handed out for free. After washing his hair, Zhou Renjie suddenly becomes proficient in building scaffolding and can even perform tricks. Shouldn’t there have been at least some plot development in between? It’s truly painful to watch.
By the end, I expected a showdown with the authorities, since Manager Ma had hinted at Boss Wang Gaofeng’s deep connections with the government. But this potential conflict was completely wasted—after a brief fight, the film rushed to a conclusion. Watching the entire film, it felt like the director was running late for work—rushed, unshaven, face unwashed, wearing the wrong clothes, skipped breakfast…
“The 36th Chamber of Shaolin” and “Shaolin Temple” were clearly directed by the same person, yet the latter feels like a clumsy imitation of the former.
I really don’t want to see another film in this genre anytime soon—this one left me feeling a bit bruised. Three stars feels generous, but since it’s a Shaolin-themed film starring Andy Lau, I’ll leave it at that.
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