Film Name: 盲女72小时 / 3 Days of a Blind Girl / Retribution / 盲女72小時
I’d heard Ye Yuqing’s name long ago, but looking at photos, I never imagined she could be the kind of beauty who achieved such success in the entertainment industry. It wasn’t until watching this film that I truly grasped her beauty—her bone structure is perfectly proportioned, her facial muscles harmonious, and her figure full yet perfectly balanced. It’s a strikingly vibrant and stunning beauty.
She never seemed to worry about any expression appearing too exaggerated or unflattering, nor did she need to deliberately restrain herself into a wooden beauty fit only for a picture frame. She also never had to fret over any movement appearing ungraceful or revealing bodily flaws—because she had none.
Midway through, I realized the horror elements—remembering the terror instilled by Anthony Wong’s movie stills. I still can’t bring myself to watch The Human Chop Suey. Experiencing the blind woman’s perspective is truly terrifying. The helplessness of being at the mercy of others, utterly defenseless—if not even home is safe, where in this world can one find security? It constantly brings to mind that vanished couple case I read about on Zhihu—that suffocating despair.
The pervert justified his actions by claiming the blind woman’s husband slept with his wife, so he needed to “get even” by sleeping with her. His lofty, righteous rhetoric? Nothing but bullying the weak by exploiting his physical advantage. Treating women as men’s private property—steal mine, I’ll steal yours—his self-righteous “love” for his own wife is sickening. If this scumbag were bisexual and his partner was a six-foot-tall Tyson, would he still righteous-sounding seek revenge this way? He even enjoys watching cartoons while wearing overalls. This kind of pervert, with childlike innocence yet extreme destructive power, is even more terrifying—because he lacks normal logic, you can never predict his next move.
I absolutely loved the movie’s ending. I detest tragedies—that dread of facing overwhelming evil, that helplessness watching something beautiful and innocent get violated and torn apart. Fight back! If kindness is destined to be trampled, if survival means sacrificing tomorrow, I’d rather go mad. Let’s destroy everything together. Better to shatter like jade than crumble like tiles. Become a bomb and obliterate this twisted world.
That blind girl really is insane. She killed the psychopath, lost so many family members, and after everything she went through, she could just switch gears and make herself look all polished and put-together. Then she casually hailed a cab like nothing happened. Her mental resilience is seriously impressive. When she erupted, she screamed about cutting the pervert’s flesh to feed him. Turns out, more than the pervert killing her worthless husband, more than all the abuse he’d heaped on her these days, what truly consumed her was that he’d slaughtered her dog to eat. Damn, she really is a madwoman. And I love this kind of madness.
I love the blind woman’s combative spirit and unyielding resolve during her torment by the psychopath. I love how she walks with such confident, spirited strides after enduring so much—like a blood-stained red rose, lush and vibrant, swaying in the wind. You want to reach out and pluck it, but the cold glint of its thorns makes you hesitate.
Yet I dislike the ending scene where she snatches the taxi—like a fierce little beast, newly freed from its cage, lashing out in overreaction. It seems like a great victory, but the pervert has shattered the blind woman’s finest qualities—her gentleness, her trust in the world.
Yet I understand her too. Those beautiful things require immense love and strength to sustain. The loyal, adorable dog; the husband who cherished her; the police symbolizing justice; the warm home—everything beautiful she once possessed was torn from her in the cruelest way by that monster, gone forever. And with it, her gentleness, kindness, and trust vanished too.
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