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Ting bat do dik suet wa 1986 Film Review: How should we view deaf-mutes?

Film Name: 听不到的说话 / Ting bat do dik suet wa / Silent Love / The Unheard / 聽不到的說话

The film primarily features seven characters, five of whom are deaf and mute. Though the entire movie maintains a heavy atmosphere, there’s a poignant moment where the female lead “sings” through sign language, expressing her hopes and yearnings for life. Deaf and mute individuals often possess stronger self-respect than the average person. They struggle to navigate a world that seems fundamentally at odds with their existence. Even when offered guidance, they remain acutely aware of their differences from others. They dare not trust easily, their inner worlds fragile and vulnerable. The film’s conclusion is devastatingly tragic—truly, it takes the loss of a life to grasp the depth of such cruelty! Sadly, by the end, they still haven’t found a way to survive meaningfully. This is the profound question the film poses to us, the able-bodied. What can they possibly do? And how should we view them? Regarding the acting, both leads delivered solid performances. Sammi Cheng deserves special mention—this was my first time seeing her on screen. She possesses an ordinary quality, lacking the aura of a typical leading lady, yet it was precisely this ordinariness that allowed her to embody the role with such depth and authenticity! I never imagined this was Lau Ching-wan’s debut film! He comes across as rather earnest in it. Honestly, compared to his peak performances, it feels slightly underwhelming. But considering it’s his first film, it’s a huge plus! By the way, Lau Ching-wan is incredibly fortunate! To get to act alongside such a cast in his very first project!

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